If you can track it down it’s worth a look.īut back to The Other: as usual, the Eureka / Masters of Cinema presentation is fantastic. Harvest Home was eventually adapted into a television miniseries – The Dark Secret of Harvest Home – with Bette Davis in the lead. A prolific author, he is probably best remembered for his follow-up novel Harvest Home, a horrifying story about pagan rites in a small farming community which I’ve always believed might have had an undisclosed influence on Anthony Shaffer’s screenplay for The Wicker Man.
He thought the film was badly cut and faultily directed and that some of the supporting performances were sub-par, although he praised Uta Hagen and Chris and Martin Udvarnoky as the twins. Jerry Goldsmith, fresh from composing the Patton soundtrack, also contributes a touching and emotional sore.Īs for Tom Tryon, he had mixed opinions about the finished product.
Uta Hagen, the legendary theatre actress who made her cinematic debut in The Other, is wonderful. Perhaps it’s Robert Surges extraordinary cinematography that gives the horror its edge – most of the scenes are untraditionally shot in brightest daylight – but Mulligan’s direction is a model of restraint, Tom Tryon’s script has some beautifully sincere moments (especially in the scenes between Niles and his grandmother) and all the performances are first rate. To give away more would be to spoil a wonderful film – there are, in particular, two fantastically eerie setpieces in The Other that should not be missed, one of them especially disturbing. What she doesn’t realise is that Niles has more on his mind and, when more deaths occur, it becomes slowly obvious that he might have something to do with them. The widow and grieving mother (Diana Muldaur) is inconsolable and has pretty much confined herself to her bedroom, leaving nine-year-old Niles and twin brother Holland in the care of his grandmother (Uta Hagen) who dotes upon Niles and tries to encourage his psychic abilities and belief in angels.
The Other is set within a close-knit farming community in depression-era Connecticut where a tragic accident has resulted in the death of a beloved father. There were some significant differences between the novel and the script but ultimately The Other was as unsettling on film as it was on the page. Soon afterwards, film director Robert Mulligan (To Kill a Mockingbird) decided The Other would be his next project and Tryon set about writing a screenplay he had originally hoped to direct himself. That book, The Other, was a gothic psychological horror that took readers deeply and convincingly into the mind of disturbed children and when it was published it became quite a phenomenon. When Hollywood leading man Tom Tryon (I Married A Monster from Outer Space, The Cardinal) realised the roles were drying up, he decided to write a book.
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